theyre more widescreen than ever but also more direct and aggressive
This album is a less ambitious and unified set than his solo debut
delirious psych-pop of “Petit Moujik De Nuit” is a curiously compelling number but it serves
The Foreign Department frames a life-in-transition/artist-in-exile document that maps two impromptu moves in twelve months for its songwriter: the first from London in pursuit of a relationship
Lea demonstrates the desirable ability to use her art to sincerely communicate in a language of ones own personal invention
Hand Habits Fun House (OPAQUE RED VINYL) R&B theyre more widescreen than everHand Habits, the project of Los Angeles based musician Meg Duffy (they them), new album Fun House is the most ambitious Hand Habits album to date. Produced by Sasami Ashworth (SASAMI) and engineered by Kyle Thomas (King Tuff), the record was not intended as a reaction to the pandemic, but it was very much the result of taking a difficult, if much needed, moment of pause. Emboldened by going into therapy and coaxed by Ashworth to push the songs into